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2024 film by Kyle Edward Ball This article is about the film. For the children's song, see Skidamarink Skinamarink Theatrical release poster📉 Directed by Kyle Edward Ball Screenplay by Kyle Edward Ball Produced by Dylan Pearce Starring Lucas Paul Dali Rose Tetreault Ross Paul Jaime📉 Hill Cinematography Jamie McRae Edited by Kyle Edward Ball Production companies Mutiny Pictures ERO Picture Company Distributed by BayView Entertainment IFC Midnight Shudder Release📉 dates July 25, 2024 ( ) (Fantasia) (Fantasia) January 13, 2024 ( ) (North America) Running time 100 minutes Country Canada[1]📉 Language English BudgetR$15,000[2] Box officeR$2.1 million[3] Skinamarink is a 2024 Canadian experimental supernatural horror film written and directed by Kyle Edward📉 Ball in his feature directorial debut.[4] The film follows two children who wake up during the night to discover that📉 they cannot find their father, and that the windows, doors, and other objects in their house are disappearing. Prior to the📉 production of Skinamarink, Ball ran a YouTube channel where he would upload videos based on nightmares recounted by commenters. His📉 2024 short film Heck was developed as a proof of concept for Skinamarink. Skinamarink was shot on digital in Ball's📉 childhood home in Edmonton, Canada. It premiered at the 26th Fantasia Film Festival in Montreal on July 25, 2024,[5] and📉 went on to screen at other film festivals, including some that offered at-home viewing options. Copies of the film leaked📉 online; the film then garnered attention on social media apps and websites like TikTok, Reddit, and Twitter, where it attracted📉 word-of-mouth acclaim.[6][7] Skinamarink received a theatrical release in the United States and Canada via IFC Midnight on January 13, 2024, and📉 was released on the horror streaming service Shudder on February 2.[8] The film was a box office success, grossingR$2 million📉 over aR$15,000 budget. It received generally positive reviews from critics, who characterized it as drawing upon experiences of childhood fear,[9][10][11]📉 though it received a polarized response from audiences.[12][13] Plot [ edit ] In 1995, four-year-old Kevin injures himself in what his six-year-old📉 sister Kaylee says is a sleepwalking episode. Kevin is taken to a hospital and brought back home. The siblings wake📉 up in the middle of the night to find that their father has disappeared and the windows, doors, and other📉 objects in their house are gradually vanishing. Kevin suggests they sleep downstairs, where they watch cartoons on TV. They awaken to📉 find the house still dark, hear an unexplained thumping noise and find a chair standing upside-down on the ceiling. Kevin📉 then suggests that their dad "went with mom" but Kaylee does not want to talk about their mother. The toilet in📉 the downstairs bathroom disappears. On their way to the upstairs bathroom, Kaylee sees a doll on a bedroom ceiling, and📉 Kevin ends up too frightened to use the toilet. They decide to place two buckets in the downstairs bathroom. A📉 mysterious voice calls to Kaylee from the darkness, telling her to come upstairs. Upstairs, Kaylee sees their father in a bedroom.📉 He tells her to look under the bed but she does not see anything. She then sees their mother sitting📉 on the bed. Her mother says they love her and Kevin, and instructs her to close her eyes before vanishing.📉 Kaylee looks at the open closet and hears her mother say "There's someone here." From the closet she hears her📉 mother calling her name as well as moans of pain and bones breaking. Kaylee returns downstairs and has Kevin help her📉 push the couch to block off the hallway from which the voice was calling her. When Kevin falls asleep, the📉 voice calls Kaylee again. When Kevin wakes up, Kaylee is gone. Toys and objects are suspended against a wall. The📉 voice calls to Kevin, beckoning him into the basement, where he sees Kaylee, who no longer has eyes or a📉 mouth. The mysterious voice tells him it wants to play, as some of the toys begin to disappear. A drawer📉 opens in the kitchen, and Kevin complies with the voice's command that he insert a knife into one of his📉 eyes. Kevin calls 9-1-1. He whispers to the operator that he was cut with a knife and feels sick. The operator📉 tells him to stay on the line, and adults will be on their way. Kevin says that the doors have📉 disappeared before dropping the phone. The phone turns into a Chatter Telephone toy and the voice claims responsibility for it doing📉 so, telling Kevin that it can "do anything." It says that Kaylee did not do as it told her; she📉 said she wanted her parents, so it took away her mouth. It tells Kevin to come upstairs, and he obeys.📉 Holding a flashlight, he finds himself on the ceiling. He walks into a bedroom which becomes a void. A dollhouse is📉 shown sitting on a pile of toys, in a seemingly infinite hallway as text on the screen reads "572 days".📉 A female figure is seen sitting on the bed and her head slowly fades away, followed by the rest of📉 her body. Photos are shown of people, except their faces are either missing or distorted. Kevin cries out as blood📉 splatters onto the floor, then disappears and spatters repeatedly. He asks if he can watch something happy. An unidentifiable face📉 appears over him in his bed, telling him to go to sleep. Kevin asks for the face's name twice, but📉 it does not respond either time. Cast [ edit ] Lucas Paul as Kevin Dali Rose Tetreault as Kaylee Ross Paul as Kevin and📉 Kaylee's father Jaime Hill as Kevin and Kaylee's mother[11] Production [ edit ] Development [ edit ] Ball previously ran a YouTube channel, Bitesized📉 Nightmares, through which he would ask viewers to post comments about their nightmares and then shoot recreations of said nightmares.[14]📉 Skinamarink was inspired by the tropes recurrent in the most commonly submitted nightmares. The film was preceded by a 2024📉 proof of concept short film titled Heck, which was also directed by Ball.[15] Ball recalled, "I'd had a nightmare when I📉 was little. I was in my parents' house, my parents were missing, and there was a monster. And lots of📉 people have shared this exact same dream."[14] The inspiration for the film's title came after Ball heard the film's namesake song📉 in the 1958 film Cat on a Hot Tin Roof and was reminded of Sharon, Lois & Bram's version, which📉 he described as "an intrinsic part of [his] childhood".[16] Ball was drawn to "Skinnamarink" as a film title because of📉 its public-domain status, the evocativeness of the hard "k" sounds, and its personal relevance to him and many others; he📉 slightly altered the spelling so that young children searching online for the song would not accidentally find his film.[16] Filming [📉 edit ] Skinamarink was shot over seven days in August 2024 on a budget ofR$15,000, which was mostly crowdfunded.[17] It was📉 shot digitally,[11] with Jamie McRae serving as the film's cinematographer,[18] in Ball's childhood home in Edmonton, Canada. McRae shot on📉 a Sony FX6 with Arri Ultra Prime lenses, and he lit the movie with whatever they had available on location,📉 primarily a CRT television and small LED light. According to Ball, "Significant portions of the movie were literally just lit📉 by the television."[19] Due to the limited budget, the film was made using equipment sponsored by the local Film and📉 Video Arts Society of Alberta (FAVA).[6] Ball stated that, "Shooting a movie in the house you grew up in about📉 two characters that are more or less you and your sister, I didn't have to try to make it more📉 personal—it just sort of happened. And then an added benefit was my mom had saved a bunch of childhood toys📉 that we used in the movie, so it got even more personal."[20] Ball cited the work of filmmakers Chantal Akerman, Stan📉 Brakhage, Maya Deren, Stanley Kubrick, and David Lynch as influences on Skinamarink.[20] He also stated that he was influenced by📉 the 1967 avant-garde film Wavelength and the 1974 slasher film Black Christmas, saying of the latter: "Black Christmas has a📉 lot of shots where there's just panning. I would refer to it when talking with my director of photography, who📉 hadn't seen Black Christmas: 'This is my Black Christmas shot.'"[20] The cartoons seen on the television in Skinamarink are in the📉 public domain, including Max Fleischer's 1936 Somewhere in Dreamland and The Cobweb Hotel shorts,[21] Ub Iwerks' 1935 Balloon Land, and📉 the 1939 Merrie Melodies short Prest-O Change-O.[12] Skinamarink makes use of subtitles for certain lines of dialogue.[20] Ball said, "The subtitles📉 do originally appear in the script because I wanted to experiment with them. I've seen it quite a bit in📉 analog horror on the internet. I thought it would be neat to play with scenes where we could hear people📉 talking but it was so quiet we could only understand them with subtitles. And then when I got to editing📉 there were certain scenes where, in retrospect, a scene is originally subtitled but the way they said something sounded good📉 so we kept the audio. It was a fun little process."[20] Release [ edit ] Festival screenings and leak [ edit ] Skinamarink📉 premiered at the 26th Fantasia International Film Festival in Montreal, Canada, on July 25, 2024.[5] Skinamarink then screened at several📉 other festivals, including some which offered at-home viewing options, with its American debut at Anomaly Film Festival in Rochester, New📉 York. Due to a technical issue, one of the festival platforms allowed the film's digital file to be pirated.[6] This📉 version was repeatedly uploaded to YouTube, and excerpts to TikTok, Reddit, and Twitter, where it attracted considerable word-of-mouth acclaim.[6] A📉 number of videos on TikTok deemed it one of the scariest films ever made, with one video asserting that it📉 "is traumatizing everyone on TikTok".[6] Ball expressed disappointment that the film was pirated, but was thankful for the positive reaction.[6] Theatrical📉 release [ edit ] The distribution rights for Skinamarink were acquired by AMC Networks[22] for theatrical release via IFC Films (under📉 the IFC Midnight label).[23][6] Skinamarink was theatrically released in the United States of America and Canada on January 13, 2024,[23] opening📉 on 629 screens.[14] In the US, the film opened on partial schedules across the country, with showtimes added in accordance📉 with demand and theatres' availability. Some theatre chains, such as Regal Cinemas and Cinemark Theatres, only screened the film nationwide📉 on January 13 and 14.[2] However, half of all theatres screening Skinamarink, including AMC Theatres locations, expanded their runs of📉 the film to open engagements.[2] Skinamarink also screened in the United Kingdom, with showings taking place at the Prince Charles Cinema📉 in London[24] and Mockingbird Cinema in Birmingham.[25] The film was released on AMC Networks' horror streaming service Shudder on February 2,📉 2024.[8] Home media [ edit ] On June 20, 2024, Skinamarink was released on DVD and Blu-ray, with a SteelBook exclusive to📉 Walmart.[26] On July 14, 2024, the company LunchmeatVHS announced on Twitter that the film would be released on limited edition📉 VHS tapes the following day, July 15, 2024.[27] The VHS tapes were limited to 200 copies total. 25 copies were📉 made with white colored shells, 50 with blue colored shells, and 125 with black colored shells.[28] Reception [ edit ] Box office📉 [ edit ] Skinamarink grossed US$746,000 over the first three days of its release, for a per-screen average ofR$1,100.[2] By January📉 15, the film's gross had risen toR$798,000, for a per-screen average ofR$1,150.[2] By January 17, the film had grossedR$890,000 domestically📉 over the four-day Martin Luther King Jr. Day weekend.[29] Against itsR$15,000 budget, the film is considered a commercial success.[29][30] Critical response📉 [ edit ] On the review aggregator website Rotten Tomatoes, the film has an approval rating of 71% based on 121📉 reviews, with an average rating of 6.2/10. The website's consensus reads, "Skinamarink can be more confounding than frightening, but for📉 viewers able or willing to dial into its unique wavelength, this unsettling film will be difficult to shake."[31] On Metacritic,📉 the film has a weighted average score of 66 out of 100 based on 25 critic reviews, indicating "generally favorable📉 reviews".[32] Owen Gleiberman of Variety wrote, "I found Skinamarink terrifying, but it's a film that asks for (and rewards) patience, and📉 can therefore invite revolt [...] Yet if you go with it, you may feel that you've touched the uncanny."[9] Michael📉 Gingold from Rue Morgue praised the film's shot compositions and sound design, writing that it "takes you back to being📉 a little kid lying in bed in the middle of the night, listening to strange noises coming from elsewhere in📉 the house and wondering what their frightful sources might be."[10] He added that the film often opts to neither show📉 nor tell, "but it pays off to the point where that offscreen voice's simple request to 'Look under the bed'📉 has you tingling with anticipation, and a simple sound effect can get you shivering."[10] Dread Central's Josh Korngut awarded Skinamarink📉 a score of three-and-a-half out of five stars, calling it "a deeply unsettling exploration of death, childhood, and the house📉 you grew up in", and concluding: "For those seeking a traditional horror movie experience, turn back now. And I say📉 so without judgment. [...] Filmmaker Kyle Edward Ball demands the audience pick up the shovel and do the digging on📉 their own. It's not fair, but it is an exciting and original vision of what horror can look like."[33] Matt Donato📉 of /Film commended the film for its atmosphere, which he felt was derived from a familiarity with childhood experiences of📉 fear, though he also criticized its runtime as overlong.[18] He called it "exquisitely divisive — the kind of film that📉 will balance zero and five-star reviews. That said, those seeking an abstract exploration of lights-out anxieties by lo-fi means should📉 seek this shot-on-film-lookin' curiosity that abides by no conventional filmmaking rules."[18] Matthew Jackson of The A.V. Club gave the film📉 a grade of "A", writing that, "If you're willing to follow Ball and company down these dark corridors, into this📉 twisted view of primal childhood fear and how easily we get lost in that fear, you're in for an absolutely📉 unforgettable horror experience."[34] Rolling Stone's K. Austin Collins characterized Skinamarink as featuring a "quiet cadence of cutting, oddly mundane, wait-and-see📉 terror," and concluded that the film is "quiet horror at its finest. Skinamarink isn't scary because of what it depicts.📉 It's scary because it already knows that our imagination will do half of the work."[7] Brian Tallerico of RogerEbert gave📉 the film three out of four stars, calling it "a difficult film to review", and "an experiment in form and📉 storytelling, pushing viewers to stop interpreting it and experience it instead."[35] Rachel Ho of Exclaim! compared the narrative structure of Skinamarink📉 to that of a dream, and wrote that it elicits fear through "a familiar dread that paints the entire film"📉 rather than a conventional storyline.[11] She added that it "taps into our childhood nightmares, when the nonsensical made sense and📉 the dark was a living, breathing organism to be feared", and wrote, "It's been awhile since I've been this scared📉 while watching a movie, and it's not even because of jump scares or the boogeyman. It's the disarming and unsettling📉 feeling Ball creates, and the anxiety that he builds that never quite dissipates."[11] Richard Brody of The New Yorker called📉 the film "accomplished but seemingly unfinished—indeed, hardly begun", lamenting it as having "no referent world, no identifiable background, for [its📉 Cath Clarke of The Guardian professed to📉 "being underwowed" by the film, calling it "a little undeserving of its newly acquired cult status" and lacking "enough ideas📉 to stretch beyond a 10-minute short. By the end I was more bored than frightened."[39] Accolades [ edit ] Audience response [📉 edit ] Skinamarink received a polarized response from audiences;[12] this, in combination with its viral spread on social media following its📉 festival leak, drew comparisons to The Blair Witch Project (1999), another horror film that garnered word-of-mouth anticipation and split audience📉 reactions.[12][42] {nl}ional alemã Adidas desde 1969. A Adidas Superestrela – Wikipédia, Wikipedia : wiki .: Amidas_Superstar Ao longo dos anos, o💶 SuperStar permaneceu popular, em unibet paris sportifs en ligne arte porque é tão fácil de usar, pode ter começado como um sapato esportivo, mas não ece💶 um tênis de basquete adidas atual como sneaker shoes : nea-news . footwearneves ; aplicativo de apostar e ganhar dinheiroblazer casa apostaroleta de cassino preçoslots brabet. pixbet avião Modern Warfare 2 Charging Argentinian Players 820% More Than Valve'S Recommended Price. With taxe,: Moderna World Fares II will costR$95 in💴 Argentina desapite a reported e monthly salary ofR$427;modernWarFaRE2ChargssingArgetinoyan Jogadores 940 % Sau... amer : modernidade-warfra-2 -argentina comprice unibet paris sportifs en ligne Call Of Duty💴 Grand WifeRe 02 ha d A staggerout budget from US2,50 million (). 15 Mott Expensive {nl} |
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